We are expecting one more review from Atlanta's largest paper, so check back and I'll post it. As always, I feel that part of my 'pay' for working with New Trinity Baroque was in the musical experience and partnerships. It's an honor to work with experts who play beautifully on period instruments, soloists who inspire, and a lively and precise choral group. We were all there because we love Bach, and creating this art together.
From Atlanta, Georgia:
"Terry Barber, countertenor, who was revelatory. His Agnus Dei was the high point of the entire concert, and he used his ease and facility across the entire alto range to beautifully express everything Bach gave him to say."
Full review:
http://wheatwilliams.com/wordpress/2011/03/06/new-trinity-baroque-performs-bachs-b-minor-mass/
From Birmingham, AL
"A highlight was the duo of countertenor Terry Barber and oboe d'amore soloist Marianne Pfau in "Qui sedes," performed as seamlessly and buoyant as a vocal duet."
The full review:
http://mobile.al.com/advbirm/db_/contentdetail.htm;jsessionid=024CB4F63C583CD7184320B58D000F93?contentguid=ntefddLP&full=true#display